Orchestre National de Jazz & John Hollenbeck: Shut Up And Dance live at London Jazz Festival 2010

Orchestre National de Jazz
Daniel Yvinec: conductor
Eve Risser: piano, flutes, sound objects
Vincent Lafont: keyboards, electronics
Antonin-Tri Huong: alto sax, clarinets, piano
Matthieu Metzger: alto, soprano and sopranino sax, electronic treatments
Joce Mieniel: flutes, electronics
Rémi Dumoulin: saxophones, clarinets
Guillaume Poncelet: trumpet
Pierre Perchaud: guitars, banjo
Sylvain Daniel: e-bass, french horn, electronic effects
John Hollenbeck: drums

Purcell Room, November 2010

1. Failing Men
Soloist: Guillaume Poncelet, trumpet
2. Life Still
Soloist: Sylvain Daniel, e-bass
3. Flying Dreams
Soloist: Pierre Perchaud guitars
4. Tongs of Joy
Soloist: Vincent Lafont, keyboards
5. Praya Dance
Soloist: Joce Mieniel, flutes
6. Bob Walk
Soloist: Matthieu Metzger, alto & soprano saxophones
7. The Power Of Water

Produced in a creative sphere covering New York, Paris, Berlin and Saint-Rémy-de-Provence, Shut Up And Dance emphasizes the relation between music and movement.
The spotlight turns to rhythm in all aspects of expression, at times even where least expected: a ping pong ball bouncing across piano wire, miscellaneous objects mistreated by computer software, instrument keys, hands rubbing, PVC tubes morphing into melodies… Percussion is everywhere, a bona fide sequence of powerful melodic passages that blend the shades of a repeating musical sound, pygmy music, art music, electronic music, not to overlook a Gnawas' trance or a Duke Ellington swing.
John Hollenbeck's compositions, inspired specially for this program, stem from an extensive collaboration with Daniel Yvinec and reveal the excitement and body of classical works, in a series of ten mini-concertos, each one dedicated to a different orchestra musician tailored to their unique personality and language.
Turning the notion of instrumental function on its head without a moment's hesitation, the wind instruments drive the beat, while the prepared piano moves onto the percussion side of the orchestra… It's all about the idea of movement, conveyed in these mesmerizing rhythms, always and forever crisscrossing so as to ease our separation from self.