Showing posts with label Bastian Jütte. Show all posts
Showing posts with label Bastian Jütte. Show all posts

January 06, 2012

Bastian Jütte Inside live at Studio II, Munich 2011


Till Martin (Saxophone)
Max Frankl (Guitar)
Christian Elsässer (Piano)
Andreas Kurz (Bass)
Bastian Jütte (Drums)
recorded live at Studio II, Bavarian Broadcast, Munich, October 26, 2011

1. Restless Mind (Bastian Jütte)
2. Freedom Song (Bastian Jütte)
3. Down to the ground (Bastian Jütte)
4. Indie Jazz (Bastian Jütte)
5. Inside (Bastian Jütte)
6. Trust (Bastian Jütte)

He is someone who creates highly sensitive notes with sticks, drums and cymbals. You may experience him in one of his many bands - the lean young man with the distinctive, nonhairy crown. And he is always a guarantor for subtlety. For fine rhythmic nuances - and always for drive and power: Bastian Jütte. In some concerts, he likes to take the electric guitar to play self-made indie rock. That's his other side and it also sounds good. Particularly because he knows how to write thrilling, catchy songs.
Why always one without the other? Here, you find both: the drummer and the rock-inspired songwriter. On "Inside", Bastian Jütte gathers nine of his own compositions that reflect a lot of the things he is into. "Jazz", "singer-songwriter", "indie rock" and "indie tronic" is what he mentions as influences for his own mixtures. Sometimes, the song titles point at the respective sounds - with nice puns such as "Indiefication" or "Decadance". Or: "Aaron Parks His Car" - as title of a homage to an influential young jazz piano player from the USA. The album contains hypnotic piano as well as trashily alienated drums, rocking guitar motifs that are interconnected with melancholic key-harmonies that tend to change rhythm or tempo all of a sudden; backwards running only to be soon resolved into audio tracks with edgy clarity, ironically-casual dissonants that sound like an instrumental wink; sublimely hammering bass ostinati and many pullingly beautiful melodies. It almost doesn't matter what is contained. Because you realize that it all fits nicely. It's made from a single source - and it captures you in its very own style. It has esprit and stylistic coherence.
You can certainly take these compositions apart but you can also just allow yourself to fall into them. Surrounded by experienced jazz partners such as saxophone player Till Martin, guitar player Max Frankl, piano player Christian Elsässer and bass player Andreas Kurz, Bastian Jütte manages to conjure moods that remind you of instrumental songs from time to time and of musical short films at other times. Amusing, laconic, unaffected films that render an image of our era, and which offer a personal statement in a very relaxed way. And they are touching as well - until the "Inside" of the drummer and creator will ideally also become the "inside" of the listener. Enjoy! - Roland Spiegel 

January 31, 2011

Johannes Enders and JazzBaltica Ensemble live at Jazzclub Unterfahrt Munich 2010


Johannes Enders, Tenor Saxophone, Flute, Leader
Karin Hammar, Trombone
Niels Lyhne Løkkegaard, Alto Saxophone, Flute
Lutz Häfner, Tenor Saxophone, Bass Clarinet, Flute
Axel Schlosser, Trumpet, Flügelhorn
Michael Wollny, Piano
Eva Kruse, Bass
Bastian Jütte, Drums

recorded live at  Jazzclub Unterfahrt, Munich July 8, 2010

1. The Jones Suite Part 2: Hank (Johannes Enders)
2. Summer Night (Harry Warren)
3. Billy Rubin Part 2 & 1 (Johannes Enders)
4. Beginners Mind Part 2 (Johannes Enders)

"One for three - The Jones Suite", the recording of JazzBaltica Ensemble 2008 concert at Salzau, released on enja, was dedicated to the three great brothers of modern jazz history: Elvin, Thad and Hank Jones.
Enders, who has always emphasized that his overriding commitment was to the “overall” sound, had delivered his masterpiece. Returning to his influences, he translated his hommage to that great arranger of modern jazz, Thad Jones, into his own contemporary musical language and, while paying tribute to Elvin Jones, the musical companion of John Coltrane, he also honours the master of the modern tenor saxophone.
What really moved musicians and audience alike at this great Salzau concert was the second movement, dedicated to the living piano legend, Hank Jones. Before the start of that final part of the concert, Hank Jones came onstage in person and bowed to Enders and the Ensemble’s moving performance with a rendition of his own composition "We’re All Together”, as arranged by Enders for the Ensemble. The audience was treated to one of those magic moments in Jazz that remain legendary for generations to come.
Supporting the 2010 release on enja the Ensemble reunited for this concert to play the suite again.

May 08, 2010

Max Frankl Quintett & Adrian Mears live at Jazzclub Unterfahrt 2010

Max Frankl, Guitar
Ulrich Wangenheim, Tenor and Soprano Saxophone, Bass Clarinet
Christian Elsässer, Piano
Andreas Kurz, Bass
Bastian Jütte, Drums
Guest: Adrian Mears, Trombone

recorded live at Jazzclub Unterfahrt, Munich/ Germany, March 6, 2010

1. Der Ausbruch (Frankl)
2. Aaron's Park (Frankl)
3. Poor Man (Mears)
4. Sturmvogel (Frankl)
5. Warten können (Frankl)
6. Today's The Day (Mears)
7. Eiszeit (Frankl)
8. Children At Play (Mears)
9. Blau (Frankl)
Max Frankl is undoubtedly one of the true rising stars on the German jazz scene. Having studied with Wolfgang Muthspiel, Kurt Rosenwinkel, Frank Möbus, Jesse van Ruller, Ingrid Jensen and Peter Herbolzheimer the native Bavarian from Weilheim played with (among others) the Bundesjazzorchester, the Harald Rüschenbaum Jazz Orchestra before forming his own Quintet. In 2008 he released his highly acclaimed CD "Sturmvogel" on Doublemoon Records (produced by Wolfgang Muthspiel).

December 23, 2009

Philipp Stauber Quintet live at Bavarian Broadcast Munich 2009


Till Martin (Tenor Saxophone)
Philipp Stauber (Guitar)
Jan Eschke (Piano)
Henning Sieverts (Bass)
Bastian Jütte (Drums)

recorded live at Studio II, Bavarian Broadcast, Munich/ Germany, November 25, 2009

1. "Leitenberg Blues" (Philipp Stauber)
2. "Minor Spring" (Philipp Stauber)
3. "Michaela's Bossa" (Philipp Stauber)
4. "Ain't got nothing but the Blues" (Duke Ellington)
5. "Will you still be mine" (Matt Dennis)
6. "Jan's Delight" (Philipp Stauber)
7. "My foolish heart" (Victor Young)

Philipp Stauber, born 1965, grew up in Olching near Munich, Germany, studied jazz guitar with Kosta Lukacs, Karl Ratzer, Howard Roberts and Joe Pass. As a typical arch top player he plays in the tradition of Joe Pass and Wes Montgomery. As a sideman he has played among others with Giora Feidman, Bobby Watson and Paolo Cardoso. His latest recording is called "four colours - one picture".