Showing posts with label Steve Slagle. Show all posts
Showing posts with label Steve Slagle. Show all posts

January 13, 2011

Carla Bley Band: 188th NDR Jazz Workshop Hamburg 1984


Michael Mantler, tp
Gary Valente, tb
Vincent Chancey, frh
Bob Stewart, tuba
Steve Slagle, fl
Tony De Grady, ts
Steve Swallow, b
Ted Saunders, p, org
Victor Lewis, dr

recorded live at NDR Studio 10, Hamburg, March 14, 1984

1. Talking Hearts (Carla Bley)
2. Joyful Noise (Carla Bley)
3. Misterioso (Thelonious Monk)

In 1984 Carla Bley released the album "I hate to sing", released on WATT. "There's a comic, antic quality afoot here-and isn't that what one expects from Bley in regular doses? The dose is over the top here, particularly on the title track. Certain band members, including the boss, take turns letting the listener know in no uncertain terms why they are instrumentalists and not singers. Dissonant voices collide with dissonant chords on track one, anchored by Steve Swallow's distinctive electric bass on "The Internationale." This one is perhaps even more madcap than usual because of the confluence of flat, non-singing singers balanced with a sort of Germanic romanticism that in places would have brought a smile to Kurt Weill". - Willard Jenkins, JazzTimes

September 29, 2010

Joe Lovano Nonet: Birth of the Cool & More - live at German Jazzfestival Frankfurt 2009

Photo Credit: Jimmy Katz

Joe Lovano, ts, alto-cl, aulochrome
Steve Slagle, as, ss, fl
Ralph Lalama, ts, cl
Gary Smulyan, bs, bcl
Barry Ries, tp
Larry Farrell, tb
James Weidman, p
Cameron Brown, b
Lewis Nash, dr

recorded live at 40th German Jazzfestival, HR Sendesaal, 
Frankfurt am Main/Germany, October 29, 2009

1. Streams of Expressions
2. Streams of Expressions: Cool (Pt.II)
3. Prelude/ Moon Dreams
4. Move

Streams of Expression, Lovano's 18th album for Blue Note Records, unites disparate themes from his own discography, not to mention jazz history as a whole.
Streams of Expression reunites Lovano with the great composer, conductor, and musicologist Gunther Schuller (their first collaboration was Rush Hour, Blue Note, 1995), and draws upon everything from the cool school to late-era Coltrane, offering a holistic take on jazz, present and future. The album is comprised of two extended, multipart pieces (Streams of Expression Suite, Birth of the Cool Suite) and three stand-alone tunes (Blue Sketches, Buckeyes, Big Ben) and features an augmented incarnation of Lovano's nonet from the albums 52nd Street Themes (2000) and On this Day . . . At the Vanguard (2003). Three of the tracks showcase Lovano in a trio setting, recalling his Trio Fascination series, regarded as a contemporary classic.