Showing posts with label Rebekka Bakken. Show all posts
Showing posts with label Rebekka Bakken. Show all posts

May 04, 2012

Rebekka Bakken live at enjoy jazz, Mannheim 2011


Rebekka Bakken: voc
Börge Petersen-Överleir: g
Rune Arnesen: dr
Lars Danielsson: b
Mathias Leber: p
recorded live at Alte Feuerwache, Mannheim, November 12, 2011

1. Same Kind
2. Never Been To Paris
3. September
4. Powder Room Collapse
5. Forever Young/ Jed Vet En Hvile
6. Any Pretty Girl
7. Hard To Be A Loser
8. After All
9. Girl Next Door
10. No Easy Way
11. Der Schnee draussen schmilzt
12. Driving

If it was up to Rebekka Bakken, people would not talk about her music, but rather just listen to it. The singer-songwriter with the deeply touching three-octave range is an “Anti Drama Queen” – a restless soul and at rest within herself at the same time. Constantly pondering and appeasing, she does not like to have people make a fuss about herself or her art. “I need the music more than it needs me”, she says accordingly. “I like to put everything to life in my music. It’s no big deal.” Hearing is feeling is living, when it comes to this emotional artist. But maybe it is also because her songs are so poetic and meaningful and her melodies speak so clearly and beautifully, that the curiosity to find out what is behind them is so enormous. With her fifth album the Norwegian singer, who was living in New York and Vienna for a long time and now makes her home on a horse-farm in Sweden, continues her “American series”. Produced in close collaboration with Malcolm Burn in Kingston, New York, the twelve self-confident and straightforward songs of “September” present themselves as one of the most beautiful, Country-influenced song-albums of our time. Brilliantly sung, sensually and lusciously played, these songs about love, life, lust and misery – the oldest topics in the world – always seem up to date. Their sound already is so unique and original, that even the three cover-versions of songs by Bruce Springsteen, Jane Siberry, and Alphaville, fit perfectly with Bakken’s own new compositions. This music touches, on many levels. “Communication”, as Rebakka Bakken says, “is so much more than words.”

April 18, 2010

Rebekka Bakken & Band live at MusicHall Worpswede 2010


Rebekka Bakken, vocals
Christer Karlsson, keys
Sebastian Nylund, guitar
Sven Lindvall, bass
Per Lindvall, drums

recorded live at MusicHall, Worpswede, January 21, 2010

1. Like Cologne (Rebekka Bakken)
2. Sometimes (Rebekka Bakken)
3. Ghost In This House (Hugh Prestwood)
4. Powder Room Collapse (Rebekka Bakken)
5. Nothing For You (Rebekka Bakken)
6. In The Early Morning Hours (Rebekka Bakken)
7. Is That You (Rebekka Bakken)
8. Hard To Be A Loser (Rebekka Bakken)
9. I Can Always Forget (Rebekka Bakken)
10. To Be Your Lover (Rebekka Bakken)
11. Not A Woman (Rebekka Bakken)
12. No Easy Way (Rebekka Bakken)
13. Say Goodbye To What Is Gone (Rebekka Bakken)
14. Why Do All The Good Guys Get The Dragons (Rebekka Bakken)
15. Forever Young (Marian Gold, Frank Merteen, Bernhard Lloyd)
16. Starlight Of My Heart (Rebekka Bakken)


Rebekka Bakken, vocals
Jesper Nordenström, keys
Stefan Astner, guitar
Lars Danielsson, bass
Per Lindvall, drums

recorded live at Kulturzentrum Schlachthof, Bremen, April 15, 2005

17. Didn't I
18. Mitt Hjerte Alltid Vanker/ So Ro (Trad., Hans Adolph Brorson/ Rebekka Bakken)

The fact that the Norwegian artist lived quite a long time in New York City and Vienna adds some charming and contrasting colours to her works. The music of her native country is still associated with notorious clichés. Rebekka, however, does not consider herself a musical landscape painter. “I never had the impression that my surroundings - neither at home nor abroad - contributed much to my inspiration.” Still - listeners who are bound to do so will discover the long winters, the crystal clear mountain air, and the mystic fjord landscapes in her former records. “Such images are only created in the eye of the beholder,” reflects Rebekka. “As musicians we shouldn’t be afraid of these clichés, of images others associate with our music. Our listeners notice things that musicians are not aware of. When I listen to Brazilian music, certain images come to my mind which no Brazilian would ever think of because it is their everyday music. So I have no problem with it if somebody recognizes Norway in my songs. That’s fine with me.”
On her latest album called “Morning Hours” she leaves her songs a lot of room to enfold. “All this space is important for me,” says Rebekka Bakken,“it is like a long, deep breath, like the instinct of life per se. In this space you deal with the things that really matter in life.” Her fourth album sounds different from its predecessors, more mysteriously and yet closer to reality. And it is her most romantic work to date. “I actually did not realize that at first. I really love the album because the songs sound like I wrote them. There’s nothing that stands between me and them. I did not have to elaborate much because I immediately felt comfortable with them.”

June 11, 2009

Rebekka Bakken & Wolfgang Muthspiel at Leipziger Jazztage 2002

Rebekka Bakken, vocals
Wolfgang Muthspiel, guitar

recorded live at Leipziger Jazztage, Leipzig, Germany, September 28, 2002

Tracklist:
1. Beloved
2. You
3. Overmåde

You can find these songs on the fine studio album "Beloved", released on Wolfgang´s Material records