Showing posts with label Till Martin. Show all posts
Showing posts with label Till Martin. Show all posts

January 06, 2012

Bastian Jütte Inside live at Studio II, Munich 2011


Till Martin (Saxophone)
Max Frankl (Guitar)
Christian Elsässer (Piano)
Andreas Kurz (Bass)
Bastian Jütte (Drums)
recorded live at Studio II, Bavarian Broadcast, Munich, October 26, 2011

1. Restless Mind (Bastian Jütte)
2. Freedom Song (Bastian Jütte)
3. Down to the ground (Bastian Jütte)
4. Indie Jazz (Bastian Jütte)
5. Inside (Bastian Jütte)
6. Trust (Bastian Jütte)

He is someone who creates highly sensitive notes with sticks, drums and cymbals. You may experience him in one of his many bands - the lean young man with the distinctive, nonhairy crown. And he is always a guarantor for subtlety. For fine rhythmic nuances - and always for drive and power: Bastian Jütte. In some concerts, he likes to take the electric guitar to play self-made indie rock. That's his other side and it also sounds good. Particularly because he knows how to write thrilling, catchy songs.
Why always one without the other? Here, you find both: the drummer and the rock-inspired songwriter. On "Inside", Bastian Jütte gathers nine of his own compositions that reflect a lot of the things he is into. "Jazz", "singer-songwriter", "indie rock" and "indie tronic" is what he mentions as influences for his own mixtures. Sometimes, the song titles point at the respective sounds - with nice puns such as "Indiefication" or "Decadance". Or: "Aaron Parks His Car" - as title of a homage to an influential young jazz piano player from the USA. The album contains hypnotic piano as well as trashily alienated drums, rocking guitar motifs that are interconnected with melancholic key-harmonies that tend to change rhythm or tempo all of a sudden; backwards running only to be soon resolved into audio tracks with edgy clarity, ironically-casual dissonants that sound like an instrumental wink; sublimely hammering bass ostinati and many pullingly beautiful melodies. It almost doesn't matter what is contained. Because you realize that it all fits nicely. It's made from a single source - and it captures you in its very own style. It has esprit and stylistic coherence.
You can certainly take these compositions apart but you can also just allow yourself to fall into them. Surrounded by experienced jazz partners such as saxophone player Till Martin, guitar player Max Frankl, piano player Christian Elsässer and bass player Andreas Kurz, Bastian Jütte manages to conjure moods that remind you of instrumental songs from time to time and of musical short films at other times. Amusing, laconic, unaffected films that render an image of our era, and which offer a personal statement in a very relaxed way. And they are touching as well - until the "Inside" of the drummer and creator will ideally also become the "inside" of the listener. Enjoy! - Roland Spiegel 

March 22, 2011

Jerker Kluge´s Deep Jazz live at Munich Broadcast 2010


Florian Riedl (Flute/Alto Saxophone)
Till Martin (Tenor Saxophone)
Ulrich Wangenheim (Bass Clarinet)
Kathrin Pechlof (Harp)
Julia Fehenberger (Vocals)
Andrea Hermenau (Piano/Vocals)
Jerker Kluge (Bass)
Diony Varias (Percussion)
Matthias Gmelin (Drums)

recorded live at Studio II, Bavarian Broadcast Munich, December 15, 2010

1. Mystik Sky (Jerker Kluge)
2. Coincidence of Circumstance (Jerker Kluge)
3. East and West (Jerker Kluge)
4. Spirits up above (Roland Kirk)
5. Autumn Sun (Jerker Kluge)
6. Movement (Jerker Kluge)

Following in the footsteps of the classic Impulse and Blue Note recordings, DEEP JAZZ is presenting Spiritual and Modal Jazz of the highest intensity! There's a swinging, soulful groove to the whole thing, full of inspired tones and rich colours. Beautifully executed musicality and fine-woven compositions are brought together in the six tunes on this mini album - a wealth of righteous grooves that could just as well have been recorded in the late sixties!
If you dig the work of Pharoah Sanders, John and Alice Coltrane, McCoy Tyner, Joe Henderson and other giants on Impulse and Blue Note Records, then check out this young German group, that take the well-absorbed heritage and run with those roots in bold new directions! You can find spirit, swing, and a whole lot more - a mighty collection of music!
The recording took place in one session at the musician-owned studio at Hermann-Lingg-Strasse in Munich in January 2008. Without any rehearsal the jazzmen managed to create a very powerful vibe throughout all the tunes and also displayed their sensitive approach to the compositions, that they played for the first time!
The compositions, with the exception of Naima by John Coltrane, are all written by the musicians themselves, showing their ability to take the heritage and tradition of the past and create something new out of it. Heaven & Earth is a journey through the flow of life, the eternal circle that is repeating endlessly and starting all over again after each decline. Singer Julia is taking the listener far away with this serene voyage to the soul.

December 23, 2009

Philipp Stauber Quintet live at Bavarian Broadcast Munich 2009


Till Martin (Tenor Saxophone)
Philipp Stauber (Guitar)
Jan Eschke (Piano)
Henning Sieverts (Bass)
Bastian Jütte (Drums)

recorded live at Studio II, Bavarian Broadcast, Munich/ Germany, November 25, 2009

1. "Leitenberg Blues" (Philipp Stauber)
2. "Minor Spring" (Philipp Stauber)
3. "Michaela's Bossa" (Philipp Stauber)
4. "Ain't got nothing but the Blues" (Duke Ellington)
5. "Will you still be mine" (Matt Dennis)
6. "Jan's Delight" (Philipp Stauber)
7. "My foolish heart" (Victor Young)

Philipp Stauber, born 1965, grew up in Olching near Munich, Germany, studied jazz guitar with Kosta Lukacs, Karl Ratzer, Howard Roberts and Joe Pass. As a typical arch top player he plays in the tradition of Joe Pass and Wes Montgomery. As a sideman he has played among others with Giora Feidman, Bobby Watson and Paolo Cardoso. His latest recording is called "four colours - one picture".