HR-Big Band feat. Jim McNeely: The Artistry of Rabih Abou-Khalil - live at Bavarian Broadcast 2010

Rabih Abou-Khalil, oud
Michel Godard, tuba, serpent


Jarrod Cagwin, perc

Jim McNeely, cond
HR Big Band

recorded live at Bavarian Broadcast, Munich, May 7, 2010

1. "Ma muse m'amuse" (Rabih Abou-Khalil, Arr. Jim McNeely)
2. "No mar das tuas pernas?" (Rabih Abou-Khalil, Arr. Jim McNeely)
3. "How can we dance if I cannot waltz?" (Rabih Abou-Khalil, Arr. Jim McNeely)
4. "Maltese chicken farm" (Rabih Abou-Khalil, Arr. Jim McNeely)

Rabih Abou-Khalil grew up in Beirut and moved to Munich, Germany during the civil war in 1978. From early on, he learnt to play the oud, a fretless string instrument, similar to the European lute or Greek bouzouki. He studied in the Beirut conservatory from oud virtuoso Georges Farah. After moving to Germany, he studied classical flute at the Academy of Music in Munich under Walther Theurer. He has often blended traditional Arab music with jazz, and has earned praise such as "a world musician years before the phrase became a label, he makes the hot, staccato Middle Eastern flavour and the seamless grooves of jazz mingle as if they were always meant to" (John Fordham, Guardian 2002). He helped highlight the oud as a vehicle of eclectic "world jazz". Abou-Khalil and his associates are arguably creating a new international platform for improvised music, comparable to John McLaughlin and his associates in Shakti. Humor is a very important ingredient in Abou-Khalil's art and live performances. Various compositions are inspired by humorous stories, common to many is the absurdity of "commuting between cultures". Rabih Abou-Khalil's CDs are conspicuous for their high quality covers depicting Arabic art.

After recording with jazz greats, with traditional Arab musicians, with classical string quartets or Armenian musicians, after writing symphonic orchestral works for the BBC Orchestra in London and the Ensemble Modern in Germany – what would a Lebanese composer do next? Of course he would join forces with an upcoming, well known German Big Band, the Frankfurt Radio Big Band (HR-Big Band) conducted by arranger Jim McNeely.
Rabih Abou-Khalil´s latest CD called "EM PORTUGUÊS" was released on enja.

Jim McNeely & HR-Big Band feat. John Abercrombie: Timeless

John Abercrombie, guitar
Jim McNeely, conductor & arranger
HR-Big Band (Frankfurt Radio Big Band)

recorded live at hr-Sendesaal, Frankfurt a.M., Germany, November 9, 2009

1. Jazz Folk
2. Ralph's Piano Waltz
3. Bred
4. Ballad In Two Keys
5. Line Up
6. Anniversary Waltz
7. Soundtrack
8. Ralph (Out Of Towner)

Over a career spanning more than 40 years and nearly 50 albums, John Abercrombie has established himself as one the masters of jazz guitar.
After graduating from Berklee, Abercrombie headed to New York, where he quickly became one of New York's most in-demand session players. He recorded with Gil Evans, Gato Barbieri, and Barry Miles, to name a few. He was also a regular with Chico Hamilton's group.
But it was in Billy Cobham's band, which also featured the Brecker brothers, that Abercrombie first started to build a following.
In the early 1970s, Abercrombie ran into Manfred Eicher, who invited him to record for ECM. The result was Abercrombie's first solo album, Timeless, in which he was backed by Jan Hammer and Jack DeJohnette. Abercrombie's second album, Gateway, was released in November 1975 with DeJohnette and bassist Dave Holland; a second Gateway recording was released in June 1978.
His second group, a trio with bassist Marc Johnson and drummer Peter Erskine, marked the first time he experimented with the guitar synthesizer. This gave him the opportunity to play what he called “louder, more open music” with a propulsive beat, demonstrated in the group's three releases, Getting There (featuring Michael Brecker) in 1987, Current Events in 1988, and John Abercrombie, Marc Johnson & Peter Erskine in 1989.
From there, he moved to partnerships that he would shuffle and reshuffle for the next 20 years.
Another album, titled Open Land, added violinist Mark Feldman and saxophonist Joe Lovano to the mix.
His affiliation with Feldman, in a quartet that included Marc Johnson and drummer Joey Barron, ushered in a period of looser, freer, almost improvisatory playing. “I like free playing that has some relationship to a melody; very much the way Ornette Coleman used to write all those wonderful songs and then they would play without chords on a lot of them,”
Throughout the 1990s and into 2000 and beyond, Abercrombie has continued to pluck from the ranks of jazz royalty--and be plucked for guest appearances on other artists' recordings. One propitious relationship was with guitarist, pianist, and composer Ralph Towner, with whom Abercrombie has worked in a duet setting.
His latest recording "Wait Till You See Her" featuring his quartet of violinist Mark Feldman and drummer Joey Baron, newcomer Thomas Morgan replacing previous bassist Marc Johnson, was released in 2009 on ECM.