Maceo Parker, Alto Saxophone
Pee Wee Ellis, Tenor Saxophone
Fred Wesley, Trombone
Larry Goldings, Hammond B3
Rodney Jones, Guitar
Bill Stewart, Drums
recorded live at Modernes, Bremen, November 7, 1990
1. McGriff’s Blues (Rodney Jones)
2. For The Elders (Fred Wesley)
3. Up And Down East Street (Maceo Parker)
4. Let’s Go Funky (a.k.a. Southwick) (Maceo Parker)
5. Peace Fuge (Fred Wesley)
Maceo Parker is a funk monster. He started his career playing saxophone for James Brown. He left the Godfather of Soul to join none other than George Clinton and the legendary Parliament, before going back with James Brown and later on Bootsy Collin’s own band. His own website pretty clearly states that there would be no funk music without Maceo Parker-that might be a little much, but he did help out a lot. Yet in 1990, Maceo Parker decided to put aside his funky nature (well on some tracks) in exchange for some old fashioned jazz and soul music for his now legendary album "Roots Revisited". The mixture of all three is very entertaining.
This CD gave him a chance to stretch out as a leader, and his soulful horn immediately brings to mind Hank Crawford and (to a lesser extent) Lou Donaldson. With a strong backup group that includes Pee Wee Ellis on tenor, trombonist Fred Wesley, and Don Pullen on organ, Parker enthusiastically plays over infectious grooves with just one funky departure ("In Time"). Roots Revisited is a throwback to the 1960s soul-jazz style and Maceo Parker gives one the impression that, if called upon, he could hold his own on a bebop date.
This CD gave him a chance to stretch out as a leader, and his soulful horn immediately brings to mind Hank Crawford and (to a lesser extent) Lou Donaldson. With a strong backup group that includes Pee Wee Ellis on tenor, trombonist Fred Wesley, and Don Pullen on organ, Parker enthusiastically plays over infectious grooves with just one funky departure ("In Time"). Roots Revisited is a throwback to the 1960s soul-jazz style and Maceo Parker gives one the impression that, if called upon, he could hold his own on a bebop date.
The second Roots installment, "Mo' Roots" was cut minus Pullen and Collins, leaning a little more toward the instrumental soul side. Three fine originals in conjunction with covers of Ray Charles, Marvin Gaye, Otis Redding, Horace Silver, and Lionel Hampton.
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