Michel Portal Trio at Jazz sur le vif 2009

Michel Portal - Clarinet, Bass Clarinet, Soprano Saxophone, Bandoneon
Bruno Chevillon - Bass
Éric Échampard - Drums

recorded live at Jazz sur le vif, Paris, Studio Trenet/Radio France, June 6, 2009

1. Pastor

2. African Ritual

3. Dolce
4. Max Mon Amour

5. Nada Mas
6. Little Tango

Multi-instrumentalist (clarinets, saxophones, bandoneon, etc.) and composer Michel Portal can be considered as the father figure of the French modern jazz scene. Classically trained, Portal gained notoriety through his association with various modern and contemporary music composers. His performance as the featured soloist on Pierre Boulez's Domaines remains a highlight of his career.
However, this exceptional musician also had a serious interest in folk music and jazz. In the late '60s, he initiated the free jazz movement in France with François Tusques, Bernard Vitet, and Sunny Murray. He went on to form New Phonic Art with Vinko Globokar, Carlos Roque Alsina, and Jean-Pierre Drouet to encourage collective improvisation, sonic explorations, and instant composing.
In 1970, Portal developed a fruitful collaboration with John Surman. The following year, he created the long-lived Michel Portal Unit, a structure designed to have European and American musicians meet in a freely improvised setting. In 1975, writing movie soundtracks became a regular activity, which is well-documented on Musiques de Cinémas.
In the '80s and '90s, Portal went through countless new musical encounters, never following a plan and always seizing the moment. At the turn of the century, Portal finally started to make a serious connection with the U.S., and Minneapolis in particular. He enlisted the help of some of Prince's musicians to develop a rock-tinged project which represented yet another departure.
In 2010 he released his album "Turbulence" on Le Chant du Monde.

HR-Big Band feat. Jim McNeely: The Artistry of Rabih Abou-Khalil - live at Bavarian Broadcast 2010

Rabih Abou-Khalil, oud
Michel Godard, tuba, serpent


Jarrod Cagwin, perc

Jim McNeely, cond
HR Big Band

recorded live at Bavarian Broadcast, Munich, May 7, 2010

1. "Ma muse m'amuse" (Rabih Abou-Khalil, Arr. Jim McNeely)
2. "No mar das tuas pernas?" (Rabih Abou-Khalil, Arr. Jim McNeely)
3. "How can we dance if I cannot waltz?" (Rabih Abou-Khalil, Arr. Jim McNeely)
4. "Maltese chicken farm" (Rabih Abou-Khalil, Arr. Jim McNeely)

Rabih Abou-Khalil grew up in Beirut and moved to Munich, Germany during the civil war in 1978. From early on, he learnt to play the oud, a fretless string instrument, similar to the European lute or Greek bouzouki. He studied in the Beirut conservatory from oud virtuoso Georges Farah. After moving to Germany, he studied classical flute at the Academy of Music in Munich under Walther Theurer. He has often blended traditional Arab music with jazz, and has earned praise such as "a world musician years before the phrase became a label, he makes the hot, staccato Middle Eastern flavour and the seamless grooves of jazz mingle as if they were always meant to" (John Fordham, Guardian 2002). He helped highlight the oud as a vehicle of eclectic "world jazz". Abou-Khalil and his associates are arguably creating a new international platform for improvised music, comparable to John McLaughlin and his associates in Shakti. Humor is a very important ingredient in Abou-Khalil's art and live performances. Various compositions are inspired by humorous stories, common to many is the absurdity of "commuting between cultures". Rabih Abou-Khalil's CDs are conspicuous for their high quality covers depicting Arabic art.

After recording with jazz greats, with traditional Arab musicians, with classical string quartets or Armenian musicians, after writing symphonic orchestral works for the BBC Orchestra in London and the Ensemble Modern in Germany – what would a Lebanese composer do next? Of course he would join forces with an upcoming, well known German Big Band, the Frankfurt Radio Big Band (HR-Big Band) conducted by arranger Jim McNeely.
Rabih Abou-Khalil´s latest CD called "EM PORTUGUÊS" was released on enja.

It's Jazz Rock Time - Tony Williams Lifetime, Soft Machine & Association P.C. live at Berliner Jazztage 1971

Lifetime:

Larry "Khalid Yasin" Young (org)
Ted Dunbar (elg)
Juini Booth (elb)
Tony Williams (dr, voc)

recorded live at Philharmonie, Berlin, Berliner Jazztage November 7, 1971

1. Medley: Life of the party/ Changing man (fragment)

Soft Machine:
Mike Ratledge (org, fender rhodes)
Elton Dean (as, saxello, fender rhodes)
Hugh Hopper (elb)
Philip Howard (dr)

recorded live at Philharmonie, Berlin, Berliner Jazztage November 7, 1971

2. Medley: Neo-Caliban grides/ All white/ Slightly all the time (fragment)

Association P.C.:
Jasper van't Hof (keyb)
Toto Blanke (elg)
Siegfried "Sigi" Busch (b)
Pierre Courbois (dr)

recorded live at Philharmonie, Berlin, Berliner Jazztage November 7, 1971

3. Soft time in a life machine
4. Solar Plexus (fragment)

This legendary concert from the Berliner Jazztage (now Jazzfest Berlin) 1971 featured three bands playing Jazz-Rock featured Tony Williams Lifetime, Soft Machine from UK and Association P.C. from the Netherlands, the last one playing a tribute to the others (Soft time in a life machine).
Sorry for delivering only fragments of the very lengthy tunes, but these parts are the only surviving recordings of this concert

Bobby McFerrin & NDR Bigband: Migrations Suite live in Munich 2008

Photo © by Thomas Schloemann

Bobby McFerrin, vocals
Dave Hartley, piano
Ben Perowsky, drums
Marcio Doctor, percussion
Geir Lysne, conductor
NDR Big Band

recorded live at Philharmonie, Munich, July 18, 2008

Migrations Suite (composed by Fred Sturm):
1. Migrations Fanfare / Palo
2. Rhythm Of The Rain Forest
3. Ken Dum Variations / Praising Khanghai
4. Cradle Song
5. Kopanitsa
6. Seneca
7. Didjeridu
8. Sagari Ha
9. Cluck Old Hen
10. Oharabushi
11. Capoeiristas

12. Introduction of the Band
13. Duo Improvisation (Bobby McFerrin & Lutz Büchner)
14. Solo Improvisation (Bobby McFerrin)
15. Lullaby Of Birdland (Shearing)
16. Smile (Chaplin)

Composed by Fred Sturm, Kimberly Clark Professor of Music and director of jazz studies at Lawrence University, “Migrations" was commissioned in 2007 by Bobby McFerrin and the NDR Big Band in Hamburg, Germany. The work is a “musical plea for world unity" that illustrates both the distinct and shared characteristics of indigenous music from 18 countries on six continents.

Collaborating with a former Lawrence student, Brian Pertl '86, an ethnomusicologist and, at the time, the manager of Microsoft's Media Acquisitions Group, Sturm researched more than 2, 000 recordings from around the globe. Sturm transcribed, arranged, orchestrated and “re-composed" about two-dozen indigenous recordings to create the magical two-hour concert showcasing McFerrin.

“The music we selected for 'Migrations' is centuries old, “ Sturm said. “It's pure, innocent, beautiful and powerful. Though the character and styles are as varied as the world's people who created this music, there is a prevalent common linkage between the selections. Bobby's improvisations and interpretations of the material I've scored are intended to illustrate the musical unity of the world's people."

Jermaine Landsberger Trio live at Bavarian Broadcast Munich 2010

Jermaine Landsberger (Hammond B3 Organ)
Jim Mullen (Guitar)
Guido May (Drums)
recorded live at Studio II, Bavarian Broadcast, Munich, Germany, July 28, 2010

1. "Valse Manouche" (Jermaine Landsberger)
2. "Ballada para J" (Paulo Morello)
3. "Nuages" (Django Reinhardt)
4. "Nardis" (Miles Davis)
5. "Sno' Peas" (Phil Markowitz)
6. "You've changed" (Carl Fisher)

Jermaine Landsberger comes from a Sinti family and has made many albums as a jazz pianist under his own name.
Originally inspired by the sound of Django Reinhardt, later he focused on modern jazz and developed his own B3 tone in a completely innovative way. He combined his virtuoso piano style with the earthy and bluesy organ sound to create a highly explosive blend.
”Throughout the years I've had the blessing, and the pleasure, to interact with some of the greatest players of the Hammond B-3-amazing people! As always, in the evolution of any instrument, there's only a handful who are really innovative. This guy's one of them. Jermaine Landsberger is a formidable artist, a master with the flame!” --Pat Martino
Jemaine´s latest recording called "Gettin´Blazed" feat. among others Pat Martino and James Genus was released on Resonance in 2009.

Helge Lien Trio live at Punktfestival Kristiansand 2009

 

photo © CF-Wesenberg

Helge Lien, piano
Frode Berg, bass
Knut Aalefjaer, drums
recorded live at Punktfestival
Kristiansand/ Norway, September 5, 2009

1. Radio
2. De sma bjornene
3. In The Wind Somewhere
4. Trozee
5. Halla Troll

Helge Lien, who besides his own trio project performs with other Norwegian acts like Silje Nergaard, has developed his very own unmistakeable style of trio playing with band colleagues Frode Berg (bass) and Knut Aalefjær (drums, percussion). With instinctive sureness, the musicians develop a „chamber music“ jazz that stands out through its harmonically complex tone colors. Building on Bill Evans’ lyrical power and the exhilaratingly melancholic playing of Esbjörn Svensson, Lien, in constant dialogue with Berg & Aalefjær, creates distinct moods on ‘Hello Troll’ – moods that he presents with ease.
"Hello Troll" was released in 2008 on Ozella Music.

 

Arve Henriksen "Cartography" live at Punktfestival Kristiansand 2009

Photo © by Alf Solbakken/ Punkt 06

Arve Henriksen: Trumpet, Vocals, Electronics, Percussion
Jan Bang: Live Sampling, Electronics
Eivind Aarset: Guitar, Electronics, Bass
Anna Maria Friman: Vocals

Punktfestival Kristiansand/ Norway, September 5, 2009

1. Cartography - Fantasy No. 1
2. Cartography - Fantasy No. 2

In 2008 Arve Henriksen recorded his album Cartography for ECM. A shifting cast of characters, with live sampling man and album co-producer Jan Bang at the centre, provides a series of soundscapes, an ambient-experimental map of moods, for the uniquely liquid, singing trumpet lines of Arve Henriksen to scale and explore. Some tracks are recorded live in concert, others are studio creations. Singer David Sylvian reads his own poetry on two cuts.

Tingvall Trio live at Jazzfest Berlin 2009 - UPDATE!

Martin Tingvall · piano
Omar Rodriguez Calvo · bass
Jürgen Spiegel · drums

recorded live at A-Trane, November 4, 2009

1. Våg in
2. Vattensaga
3. Valsång
4. Mustasch
5. Tveklöst
6. Hajskraj
7. Movie
8. Mjau
9. Rödblå
10. Grrrrr
11. Pinocchio
12. Nu Djävlar
13. Under Ytan
14. Vagor
15. Trolldans
16. Norrland Guld
17. Avsked
18. Monster

Swedish piano player Martin Tingvall’s compositions are characterized by catchy melodies, which not only sweep along jazz lovers but even appeal to audiences which are not familiar with jazz. The three Hamburg based musicians play their very own kind of Scandinavian jazz with a Cuban touch and a slight rock’n’roll attitude. In the ballads you can hear the Northern melancholy but always spiced with a positive feel.
Careful listeners can recognize Swedish folksongs which are an important ingredient in many songs.. The arrangements of those songs give the trio plenty of space for improvisation which turns every concert into a one-time experience.
Tingvall Trio recorded three absolutely great albums for Skip records, called "Skagerrak", "Norr" and the latest "Vattensaga".

FM Trio live at Jazzclub Karlsruhe 2010

Fabian Mueller - Piano
Kaspar von Grünigen - Bass
Fabian Bürgi - Drums

recorded live at Jazzclub Karlsruhe, June 17, 2010

1. Vue Miniature/Schublade (von Grünigen)
2. Die Spule (von Grünigen)
3. Selber Fisch (von Grünigen)
4. Ligne Libre (Mueller)
5. Hemtuk/Fiasko/Montage (von Grünigen/Paul Motian/von Grünigen)
6. Das Hotel (Bürgi)
7. Le Grand Souffleur (Mueller)
8. Grains & Dots (von Grünigen)
9. Platzhirsch (Mueller)

FM Trio's first live performance was given in 2004, after two years of intense work together. Two years later the Trio was a well-established and consolidated formation, and it continued to focus on its repertoire of original compositions. During the same year it started to tour extensively throughout Switzerland and in other European countries as well: Austria, Germany, Sweden, Lichtenstein and Slovakia.
The new CD “ligne libre”, released by Altrisuoni, the Swiss jazz label, was recorded during a 2-day session at the Radio Studio Zurich by engineer Martin Pearson and producer Peter Bürli.
The new music of this CD is a further expression of the main characteristics of FM Trio's art: the fresh and mature interpretation of original compositions, that come out of the "compositive nowhere", and that arise from the momentary conceptual genius of the Trio.
With this album, FM Trio draws charm from the classic “piano trio” form. The ability to act collectively and to take risks are two essential elements of the music of these three young Swiss musicians.
With this album the Trio proves its commitment to servicing the true expressiveness in music, as opposed to the all-too-common self-indulgence of the majority of current line-ups.

Nils Wogram & Simon Nabatov live at Jazzfest Bonn 2010

photo © by friedrich von hülsen

Nils Wogram, trombone
Simon Nabatov, piano

recorded live at Kulturzentrum Brotfabrik, Jazzfest Bonn, June 4, 2010

1. Moods and Modes (Wogram)
2. Moving In (Wogram)

3. Split The Difference (Wogram)
4. Time Machine (Wogram)

5. Danca Nova (Nabatov)

6. Assuming (Nabatov)
7. Full Stop (Nabatov)

Russian pianist Simon Nabatov and German trombonist Nils Wogram definitely have no problem communicating with each other and clearly have tremendous fun playing together.  Their duo has remained fresh and continued to thrive since it made its debut in 1997 at The Loft in Cologne and won over the critics and audience at the 1997 Moers Music Festival with a performance hailed as a highlight of the event.  They first played together in 1995 in a quartet the trombonist led and one can attribute the success of their ongoing collaboration – which has included an octet of Wogram’s and a quartet of Nabatov’s—to the fact that aesthetically they are unmistakably kindred spirits.  Above all both are intrepid musical adventurers who fearlessly set their sights on distant, un-chartered horizons in their improvising and composing, secure in their knowledge that they can always bring their music back home to the safe stylistic harbors of the mainstream and modern jazz and classical traditions from which they each set sail.

Their latest album called "JazzLimbo" was released in 2007 on leo records.

Jacob Karlzon Trio live in St.Ingbert 2010

Photo © by Miki Anagrius 

 Jacob Karlzon - Piano

Hans Andersson - Bass
Jonas Holgersson - Drums

recorded live at Jazzfestival St. Ingbert, Kulturzentrum Alte Schmelz, March 20, 2010

1. Maniac (Michael Sembello)
2. Ninnen (Jacob Karlzon)
3. Pull/Woid/Nilha (Jacob Karlzon)
4. Fragrancia (Jacob Karlzon)

Jacob Karlzon Trio has developed a unique interplay in which the lines between impulses in the spur of the moment, improvisation and composed passages are almost wiped out. The repertoire consists mainly of Jacob Karlzon´s compositions, where beauty, space and emotional intensity are united into something heavily swinging, where tenderness is close to groove, and where closely united musical expressions are reflected dynamically. Impressions are collected from various places, which creates a width in the artistic direction the ensemble takes. Their joined expression is warm and intense, and starts out in a nearness to the listener. Sometimes music from other composers is used, which leads to personal interpretations of for example Cole Porter or the heavy metal band Korn.
Today the members of the trio are Jacob Karlzon (piano), Hans Andersson (bass) and Jonas Holgersson (drums). During the year of 2008 the trio played a great number of concerts in Sweden and Denmark. After these tours the trio recorded in Nilento Studio, Gothenburg with the great technician and producer Lars Nilsson.
The record “Heat” was released on the Swedish record-company Caprice in spring 2009 and contained, except for the trio, the great swedish hornplayers Peter Asplund on trumpet and Karl-Martin Almqvist on saxophones. The record consists mainly of compositions by Jacob Karlzon but also includes his arrangements of a composition by Maurice Ravel and one by the numetal-band KoRn. It also includes one song from the motion picture Lord of The Ring.

Nils Landgren Funk Unit "Funky ABBA" live at JazzBaltica 2004

Photo © by: ACT / Johan Bergmark

The Funk Unit:
Nils Landgren - Trombone, Vocals
Magnum Coltrane Price - Vocals, Keyboard
Annika Granlund - Vocals, Trumpet
Jessica Pilnäs - Vocals
Karl-Martin Almqvist - Tenor Saxophone
Henrik Janson - Guitar
Lars DK Danielsson - Bass
Robert Östlund - Keyboard
Wolfgang Haffner - Drums
Special Guests:
Viktoria Tolstoy - Vocals
Roy Hargrove - Trumpet
Terri Lyne Carrington - Drums
Peter Weniger - Tenor Saxophone
Sharon Dyall - Vocals

recorded live at Große Konzertscheune Salzau, July 2004

1. Dancing Queen
2. Gimme!Gimme!Gimme!
3. Voulez-vous
4. When All Is Said And Done
5. Summer Night City
6. Knowing Me, Knowing You
7. Take A Chance On Me
8. Super Trooper
9. S.O.S.
10. Thank You For The Music
11. You Dig

Exactly 30 years after ABBA’s international breakthrough at the Eurovision Song Contest, Nils Landgren has undertaken a highly personal tribute to one of the greatest pop bands ever, working together with his grooving band, which "drives young people into a frenzy and yet also is taken seriously by the snobbish jazz lovers" (Spiegel).The new album is called FUNKY ABBA – and Nils can call it that with much justification, through his long-standing friendship with Benny Andersson. Twenty-five years ago, on the strength of his special trombone sound, Benny asked the fresh-faced Nils to join him in the studio to play on the ABBA song "Voulez-Vous". This time it was the other way round: Benny couldn’t wait to take part on at least one track of FUNKY ABBA.

e.s.t. Esbjörn Svensson Trio live in Burghausen 2001

Photo © by: ACT / Patrik Sehlstedt

Esbjörn Svensson - piano
Dan Berglund - bass
Magnus Öström - drums

recorded live at Wackerhalle Burghausen, May 6, 2001

1. The Rube Thing
2. Good Morning Susie Soho
3. The Chapel
4. The Wraith/ From Gagarin´s Point of View
5. Dating
6. Bowling
7. Dodge The Dodo
8. Hands Off

Openness, curiosity, and a little bit of chance are all a part of Esbjörn Svensson’s artistic foundation: “I play piano because we didn’t have any other instrument in the house. Actually, I would have rather played drums. For instance, as a kid, I put together a set out of old odds and ends, and tried to sound like “Sweet” on “Ballroom Blitz”. But then Magnus Öström came with his drums, and I decided to stay with the piano. Magnus and I grew up together, and have played together from the beginning. When Magnus was given his first drum set, he brought it over to my house, and we started playing. We had no idea how to play, but it was a lot of fun. Since we didn’t have a teacher, and no one was telling us how to play, we were able to gradually develop our music in a very unique, individualistic way.”
From the mid-eighties on, Svensson and Öström established themselves as inspiring sidemen in the Swedish and Danish jazz scenes. They formed their first trio in 1990, but it wasn’t until 1993 that they got the necessary lift to get a CD off the ground. It was then that they met Dan Berglund. Both were fascinated by the structural strength and creative diversity of his playing and were able to entice Berglund into joining the trio.
In 2000 the CD Good Morning Susie Soho (ACT 9009-2), was released and earned the trio the title “Trio of the Year” by Jazzwise, UK. e.s.t. toured on the “RISING STARS” Jazz Circuit and played all major festivals throughout Europe. The same time Sony Columbia USA released the first CD “Somewhere Else Before” a compilation from the European albums “From Gagarin´s Point of View” and Good Morning Susie Soho” in the USA.

Jim McNeely & HR-Big Band feat. John Abercrombie: Timeless

John Abercrombie, guitar
Jim McNeely, conductor & arranger
HR-Big Band (Frankfurt Radio Big Band)

recorded live at hr-Sendesaal, Frankfurt a.M., Germany, November 9, 2009

1. Jazz Folk
2. Ralph's Piano Waltz
3. Bred
4. Ballad In Two Keys
5. Line Up
6. Anniversary Waltz
7. Soundtrack
8. Ralph (Out Of Towner)

Over a career spanning more than 40 years and nearly 50 albums, John Abercrombie has established himself as one the masters of jazz guitar.
After graduating from Berklee, Abercrombie headed to New York, where he quickly became one of New York's most in-demand session players. He recorded with Gil Evans, Gato Barbieri, and Barry Miles, to name a few. He was also a regular with Chico Hamilton's group.
But it was in Billy Cobham's band, which also featured the Brecker brothers, that Abercrombie first started to build a following.
In the early 1970s, Abercrombie ran into Manfred Eicher, who invited him to record for ECM. The result was Abercrombie's first solo album, Timeless, in which he was backed by Jan Hammer and Jack DeJohnette. Abercrombie's second album, Gateway, was released in November 1975 with DeJohnette and bassist Dave Holland; a second Gateway recording was released in June 1978.
His second group, a trio with bassist Marc Johnson and drummer Peter Erskine, marked the first time he experimented with the guitar synthesizer. This gave him the opportunity to play what he called “louder, more open music” with a propulsive beat, demonstrated in the group's three releases, Getting There (featuring Michael Brecker) in 1987, Current Events in 1988, and John Abercrombie, Marc Johnson & Peter Erskine in 1989.
From there, he moved to partnerships that he would shuffle and reshuffle for the next 20 years.
Another album, titled Open Land, added violinist Mark Feldman and saxophonist Joe Lovano to the mix.
His affiliation with Feldman, in a quartet that included Marc Johnson and drummer Joey Barron, ushered in a period of looser, freer, almost improvisatory playing. “I like free playing that has some relationship to a melody; very much the way Ornette Coleman used to write all those wonderful songs and then they would play without chords on a lot of them,”
Throughout the 1990s and into 2000 and beyond, Abercrombie has continued to pluck from the ranks of jazz royalty--and be plucked for guest appearances on other artists' recordings. One propitious relationship was with guitarist, pianist, and composer Ralph Towner, with whom Abercrombie has worked in a duet setting.
His latest recording "Wait Till You See Her" featuring his quartet of violinist Mark Feldman and drummer Joey Baron, newcomer Thomas Morgan replacing previous bassist Marc Johnson, was released in 2009 on ECM.

WDR Big Band feat. Kurt Elling live in Köln 2010

 

Kurt Elling, voc
WDR Big Band Köln:
Johan Hörlen, Karolina Strassmayer: as; Olivier Peters, Paul Heller: ts; Jens Neufang, bs
Andy Haderer, Rob Bruynen, Klaus Osterloh, Wim Both, John Marshall: tp
Ludwig Nuss, Marshall Gilkes, Bernt Laukamp: tb, Mattis Cederberg: b-tb
John Goldsby, b; Paul Shigihara, git; Frank Chastenier, p; Hans Dekker, dr
Conducted and arranged by Michael Abene

recorded live at Philharmonic Hall, Cologne/ Germany, June 26, 2010

1. Soft Lights And Sweet Music (Irving Berlin)
Soloists: Paul Heller, ts; John Marshall, tp; Hans Dekker, dr
2. Steppin´Out (Joe Jackson)
Soloists: Paul Heller, ts; Hans Dekker, dr
3. You Are Too Beautiful (Richard Rodgers/ Lorenz Hart)
Soloist: Ludwig Nuss, tb
4. All Points West (Kurt Elling/ Laurence Hobgood)
Soloists: Paul Heller, ts
5. Nighttown (Don Grolnick/Lyrics: Kurt Elling)
Soloists: Karolina Strassmayer, as
6. Effendi (McCoy Tyner / Lyrics: Kurt Elling)
Soloists: Frank Chastenier, p; Kurt Elling; John Marshall, tp; Johan Hörlen, as
7. Stella By Starlight (Victor Young)
Soloist: Johan Hörlen, as
8. Dream Clock (Joe Zawinul/Lyrics: Kurt Elling)
Soloist: Paul Shigihara, git
9. Face On The Barroom Floor (Wayne Shorter/Lyrics: Kurt Elling)
Soloist: Frank Chastenier, p
10. I Like The Sunrise (Duke Ellington/ Lyrics: Kurt Elling)
Soloist: Andy Haderer, tp
11. Introduction of the Band
12. Tumbleweed (Michael Brecker/ Lyrics: Kurt Elling)
Soloist: Marshall Gilkes, tb; Frank Chastenier, p; Paul Shigihara, git;
13. All The Way (Sammy Cahn/Jimmy Van Heusen)
Soloist: John Marshall, tp

On June 23rd last year, Grammy nominated and critically acclaimed modern Jazz vocalist Kurt Elling released "Dedicated to You: Kurt Elling Sings the Music of Coltrane and Hartman", his eighth album and second release on Concord Jazz.
The live collection was recorded in January 2009 at the Allen Room in the Lincoln Center, New York as part of Lincoln Center’s American Songbook series. The new 12-track release features an all-star cast of musicians including saxophonist Ernie Watts, the Laurence Hobgood Trio and string quartet.

"Dedicated to You" is a stunning spectrum of music, both vocal and instrumental. The album opens with an introductory interpretation of the American Songbook classic, “All or Nothing At All,” in which the interconnectedness between Elling’s vocal and Watt’s tenor saxophone calls up immediate references to the Coltrane/Hartman source. The transformative interpretations of songs such as “Autumn Serenade,” “Nancy With The Laughing Face” and “You Are Too Beautiful” are definitive examples of how to remain true to the inner essence of a song.